![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
(no subject)
Jul. 30th, 2010 09:30 amI think I've determined that the part of writing I suck most at is character development. The problem is that the characters mostly show up in my head as fully fleshed out people. I forget, sometimes, that they're not in the *reader's* head.
I was writing a scene yesterday for Keeper of Secrets (yes, I *am* still working on that) and it occurred to me that if someone who had been reading what I've posted of that story so far had read that scene, Tommy's involvement would seem like it came from left field. Because I'm finally getting to the part of the plot where Tommy becomes important, and yet I haven't laid the groundwork yet. Y'all don't *know* Tommy - he's showed up in what, two scenes so far?
I get too focused on the "and this is what happened next" part, and I forget that in order for it to work, the reader has to *see* those little daily interactions that let you get to know a character *before* the character does something important that only makes sense if you know that person.
So here I am writing this really important scene where Tommy does something that has all these profound implications, but only if you know his history and his personality and his relationship with Annie - none of which I've actually *shown* yet.
*Sigh*
Character bio sheets for RPGs sound so much easier, why don't novels work that way?
I was writing a scene yesterday for Keeper of Secrets (yes, I *am* still working on that) and it occurred to me that if someone who had been reading what I've posted of that story so far had read that scene, Tommy's involvement would seem like it came from left field. Because I'm finally getting to the part of the plot where Tommy becomes important, and yet I haven't laid the groundwork yet. Y'all don't *know* Tommy - he's showed up in what, two scenes so far?
I get too focused on the "and this is what happened next" part, and I forget that in order for it to work, the reader has to *see* those little daily interactions that let you get to know a character *before* the character does something important that only makes sense if you know that person.
So here I am writing this really important scene where Tommy does something that has all these profound implications, but only if you know his history and his personality and his relationship with Annie - none of which I've actually *shown* yet.
*Sigh*
Character bio sheets for RPGs sound so much easier, why don't novels work that way?
